- Advanced techniques
- Advanced delay effects
Advanced delay effects
Your Woovebox comes with a dual delay unit. The output of either unit can be tapped and used as an oscillator in any patch by choosing it as an oscillator wave type. By feeding back one delay's output to another while modifying the signal in between (for example filtering), complex and interesting delay effects can be achieved, such as the quintessental "dub" delay effect where each subsequent echo is filtered differently (usually by a high-pass filter).
The second delay unit can also be configured to provide a pitch shifted delay algorithm (via 4/Ar/d2.Al on a song's GLob page), allowing for pleasant overtones akin to a "shimmer" or "sparkle", depending on the patch. Using the pitch shifted delay with a very small delay time can, for example, be used to simulate sympathetic string resonance for a synthesized piano patch.
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- Mailing list (under Shop)
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- 11. SuS.1 Amplitude Envelope Generator Sustain Oscillator 2 (under Amplitude page)
Sustain defines the proportion (0-127) of full amplitude (attenuated by AEG.d) that should be sustained during note on.
- Filters (under Sound design)
A 24db filter is much more dramatic in the way the frequencies are affected (attenuated) than a 6db filter which affects frequencies more gradually.
- 15. L.2.rt rate for cutoff frequency LFO (under Amplitude page)
Specifies the speed by which the LFO should oscillate.
- 16. L.2.ho hold duration for cutoff frequency LFO (under Amplitude page)
Specifies the hold duration in milliseconds for which the LFO should hold the LFO's sampled value.