- Wavetable Synthesis
- Built-in tables
Built-in tables
This is an overview of the built-in tables, their use-cases and their waveform visualisations.
Historically, often entire wavetables were dedicated to emulating other types of synthesis or specific instruments. Because the wealth of other synthesis algorithms on the Woovebox already cover these, these eight built-in wavetables were carefully selected to play to wavetable synthesis' unique strengths, rather than covering the same ground already covered by the other algorithms.
That said, you can of course import any custom wavetables in the unlikely event the built-in ones are insufficient for your needs. All tables originate from the CC0 1.0 wavedit-online GitHub repository, where you will find many more wavetables of varying quality and usefulness.
SL.01

This table contains a great sequence of waveforms that slowly alter over time/index. It is great for subtly evolving timbres or establishing an underlying base timbre.
SL.02

This table is a copy of Bank A of the Synthesis Technology E350 Morphing Terrarium Eurorack Wavetable VCO. It is a useful general-purpose bank.
SL.03

This table is a copy of Bank B of the Synthesis Technology E350 Morphing Terrarium Eurorack Wavetable VCO . It is a useful general-purpose bank, notably with some basic waveform variations (pulse, saws).
SL.04

This table is a copy of Bank C of the Synthesis Technology E350 Morphing Terrarium Eurorack Wavetable VCO. It is a useful general-purpose bank for adding harmonic content to a simpler base tone/waveform.
SL.05

This table is a useful general-purpose bank for adding high(er) harmonic content to a base tone.
SL.06

This table is especially useful for adding chaotic harmonic content, or - when used at low pitches - for gritty aggressive tones.
SL.07

This table contains general purpose waveforms that are useful on their own (as base tones), or when slowly morphed within smaller ranges.
SL.08

This table is extraordinarily well suited for synthesis of voice-adjacent timbres, such as choirs, voice stabs, hums, oohs, aahs or other voice-like sounds.
You may also be interested in...
- Terms, Conditions and Warranty (under Shop)
- Randomizing events (under Randomization)
Your Woovebox can use randomization to trigger (or not trigger) some events.
- 8. L.1.ho hold duration for cutoff frequency LFO (under Amplitude page)
Specifies the hold duration in milliseconds for which the LFO should hold the LFO's sampled value.
- A word about authenticity (under Sound design)
The custom-built synthesizer engine in your Woovebox pays special attention to these subtleties, giving you various means to emulate the analog signal paths of older gear.
- 14. Start Position LFO depth (under Panning & EQ page)