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- Low Frequency Oscillators (LFOs)
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- Amplitude modulation
- Pitch modulation
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- Sound design
- Low Frequency Oscillators (LFOs)
Low Frequency Oscillators (LFOs)
A number of dedicated low frequency oscillators exist to modulate things like amplitude, cut-off frequency and pitch.
The pitch LFOs can be quantized to the nearest note in a chord, octave, or scale.
A reduced set of basic of waveforms are available as LFO sources; noise, sine, triangle, saw or square wave.
All LFO rates are related to song BPM and are expressed as fractions or multiples.
A hold time (in milliseconds) may be specified to sample & hold the LFO for the specified duration. Optionally (by specifying a "negative" value), the LFO value may be the result of linear interpolation between two hold samples (current and next). This allows for smooth variation between two hold values, rather than yielding a jarring "staircase" effect. This is particularly useful for interpolating between random (noise) LFO values, allowing for randomly changing/evolving timbres in sound design.
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- Terms, Conditions and Warranty (under Shop)
- 9. Attk Filter Envelope Generator Attack (under Filter page)
- 1. AtK.1 Amplitude Envelope Generator Attack Oscillator 1 (under Amplitude page)
Attack defines the time it takes (in milliseconds) to ramp up from 0 full amplitude (attenuated by AEG.d).
- 7. L.1.rt rate for cutoff frequency LFO (under Amplitude page)
Specifies the speed by which the LFO should oscillate.
- 16. L.2.ho hold duration for cutoff frequency LFO (under Amplitude page)
Specifies the hold duration in milliseconds for which the LFO should hold the LFO's sampled value.
- Sound design
- Architecture
- Oscillators
- Algorithms
- Low Frequency Oscillators (LFOs)
- Envelope generators
- Filters
- Amplitude modulation
- Pitch modulation
- Panning & EQ
- Dynamics, Sidechaining, Gating, Ducking, Compression and Transient Shaping
- Distortion, Saturation, Bit-crushing
- Global Send Multi-effects
- DJ FX
- Wavetable Synthesis
- A word about authenticity