- Sound design
- Architecture
- Oscillators
- Algorithms
- Low Frequency Oscillators (LFOs)
- Envelope generators
- Filters
- Amplitude modulation
- Pitch modulation
- Panning & EQ
- Dynamics, Sidechaining, Gating, Ducking, Compression and Transient Shaping
- Distortion, Saturation, Bit-crushing
- Global Send Multi-effects
- DJ FX
- Wavetable Synthesis
- A word about authenticity
- Panning & EQ page
- Eq.Fr
4. Eq.Fr EQ Mid Frequency Point
Specifies the frequency around which EQ-ing takes place. The setting increases the frequency in octaves; choose from 55Hz, 110Hz, 220Hz, 440Hz, 880Hz, 1760Hz, or 3520Hz.
- Anything around this value is considered the "mid" frequency (2/bS/Eq.Md)
- Anything below half this value is considered the "low" frequency (1/Cd/Eq.Lo)
- Anything above double this value is considered the "high" frequency (3/Ld/Eq.Hi)
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- Launch Wooveconnect
Manage songs, samples, audio stems, firmware updates and more through Wooveconnect.
- Switch to the chord track (under Quick start tutorial)
The root note can be set by changing the parameter under key 2/bs.
- 14. L.1.de LFO2 depth (under Amplitude page)
Specifies the strength by which the LFO should affect the filter.
- 14. L.C.de depth for cutoff frequency LFO (under Filter page)
Specifies the strength by which the LFO should affect the filter.
- 5. L1.Wv LFO 1 Waveform (under Amplitude page)
'SinE'; sine wave (starts at 0 / 90 degree phase, ramping up).
- Sound design
- Architecture
- Oscillators
- Algorithms
- Low Frequency Oscillators (LFOs)
- Envelope generators
- Filters
- Amplitude modulation
- Pitch modulation
- Panning & EQ
- Dynamics, Sidechaining, Gating, Ducking, Compression and Transient Shaping
- Distortion, Saturation, Bit-crushing
- Global Send Multi-effects
- DJ FX
- Wavetable Synthesis
- A word about authenticity