Advanced use and textures

Because these types of arpeggios only take up one oscillator, it is possible play two arpeggios per voice, or incorporate the arpeggiation as part of sound design and principal synthesis, if an algorithm is selected that combine two oscillators (such as FM, AM, etc.).

This allows for the creation of animated textures and intricate pads.

An example from the Woovebox demo track "Game Over"; using pitch LFO quantization to create textures


You may also be interested in...
  • Oscillator 3: versatile sound shaping & sub/super-oscillator (under Oscillators)

    This third oscillator can be configured to either follow oscillator 1 or oscillator 2.

  • 7. LEG.S Legato Speed (under Pitch page)

    Specifies how quick legato should move from one pitch to another.

  • Transients (under General workflow recommendation)

    Transient shaping is changing that attack without changing the whole sound too much.

  • 14. rv.dM Reverb Damping (under FX (global multi-effects))

    Specifies reverb damping, impacting how clear the "tail" of the reverb should be.

  • Mastering compressors (under General workflow recommendation)

    The up, down and up/down compression algorithm's bands are intentionally less strongly isolated than the OTT bands.


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