4. FLW.C Follow Chord

(track 2/bS - 16/A8 only)

Specifies how (if at all) notes (played or sequenced) on this track should be adapted and transformed to follow the currently playing ('Cd' track) chord. The following settings are available;

• 'OFF' (off); no adaptation of sequenced notes is performed. Live played notes are adapted to always be in the key and scale of the song.
  
• 'LGL'. Sequenced and live played notes are adapted to always be in the key and scale of the song. A common use case is live recorded or improvised leads.
• 'trS.1'. Sequenced and live played notes are transposed by the root note of the chord, and then adapted to always be in the key and scale of the song. A common use is generative leads.
• 'trS.2'. Sequenced and live played notes are transposed by the second note of the chord, and then adapted to always be in the key and scale of the song. A common useis generative leads.
• 'trS.3'. Sequenced and live played notes are transposed by the second third of the chord, and then adapted to always be in the key and scale of the song. A common use is generative leads.
• 'CLS.3'. Sequenced and live played notes are adapted to always play the note of the current chord that is closest in pitch - only the first three notes of the chord are considered. A common use case is arpeggios.
  
• 'CLS.A'. Sequenced and live played notes are adapted to always play the note of the current chord that is closest in pitch. A common use case is arpeggios.
• 'root'. Sequenced and live played notes are adapted to play the root note of the current chord. A common use case is basslines.
• 'tr.1.5'. Sequenced and live played notes are transposed by the root note of the chord, and then adapted to always be in the key and scale of the song, inclusive of the root + 7 semitones("fifth") as a valid note. A common use is generative leads.
• 'tr.2.5'. Sequenced and live played notes are transposed by the second note of the chord, and then adapted to always be in the key and scale of the song, inclusive of the root + 7 semitones("fifth") as a valid note. A common use is generative leads.
• 'tr.3.5'. Sequenced and live played notes are transposed by the third note of the chord, and then adapted to always be in the key and scale of the song, inclusive of the root + 7 semitones("fifth") as a valid note. A common use is generative leads.
• 'CL.3.5'. Sequenced and live played notes are adapted to always play the note of the current chord or root + 7 semitones("fifth") that is closest in pitch - only the first three notes of the chord are considered. A common use case is arpeggios.
  
• 'CL.A.5'. Sequenced and live played notes are adapted to always play the note of the current chord or root + 7 semitones ("fifth") that is closest in pitch. A common use case is arpeggios.
• 'roo.5'. Sequenced and live played notes are adapted to play the root note or root + 7 semitones ("fifth") of the current chord. A common use case is Motown-style basslines.
  

Please note that chord adaptation is ignored if track behavior ('bEhv') is set to "sample kit" ('SMP.K'). The follow chord override option is not available on the chord ('Cd') track itself.